AL Miller’s engaging, well-acted revival of Lyle Kessler’s 1983 play Orphans offers an edgy exploration of masculinity within ...

Geordie football musical Gerry & Sewell begins at the kind of energy levels that a more sedate show might finish with. The second the lights go down, the theatre erupts into a party – a storm of ...

An Oscar-winning writer, Olivier-winning director and a stellar cast combine for an enjoyable but messy show at London’s ...

Lawlessness and lack of accountability seem, tragically, on the verge of becoming a new American norm, so what better time to ...

Set in the American West of the 1800s, High Noon rides on themes as relevant now as they were then. Courage vs. Cowardice.

James Doherty plays the judge and the saloon keeper as well as Miller, giving us three pleasing western caricatures for the ...

An outstanding cast grapple with this revival of Lyle Kessler’s 80s set drama but the play feels incomplete with too many threads remaining unresolved ...

Billy Crudup (mercifully nobody applauded when he made his entrance, all too often a dismal distraction when American movie stars appear in the West End), catches our hero’s flawed dignity and ...

All those elements are technically present in director Thea Sharrock's thoughtful staging of the 1952 movie High Noon, but ...

Read our review of *High Noon*, adapted by Eric Roth, now in performances at the Harold Pinter Theatre to 6 March. Read more ...

Crudup and Denise Gough lead a tense adaptation that turns the film into a debate play whose McCarthy-era roots resonate powerfully today ...

Al Miller’s production at London’s Jermyn Street Theatre draws us into the North Philadelphia home of two brothers, where a ...