The composer is an undeniable part of the classical music canon. Does that change the meaning of his radical early work? Opening night of the Metropolitan Opera’s 2014 production of The Death of ...
Performances in N.Y.C. Advertisement Supported by Listen to recordings by Maria Dueñas and Daniil Trifonov, works by Thomas Adès and Tania León, and more. London Philharmonic Orchestra; Thomas Adès, ...
But, counterintuitive though it might seem, I don’t think sound is always a helpful way to understand genre. I’m a composer and conductor in the field that’s broadly known as Western classical music, ...
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