Movies are never so much fun as when they contain an element of the disreputable. The appeal of cheap, trashy movies, with their fantasies of sex and violence, is that they lure us in with the promise ...
Brian De Palma, whose 26th film, “Femme Fatale,” opens this weekend, is known for movies that start with a bang, sometimes literally. There’s the outrageous slasher parody that opens “Blow Out,” the ...
TORONTO, Sept. 16 (UPI) -- Ruggedly handsome in a neatly trimmed beard, Antonio Banderas was playful and talkative as he fielded questions from reporters about his latest film "Femme Fatale" during ...
Directed and written by Brian De Palma; photographed by Thierry Arbogast; edited by Bill Pankow; produced by Tarak Ben Ammar, Marina Gefter. Opens Wednesday. Running time: 1:50. MPAA rating: R ...
Temps de Lecture 3 min. Le procédé est grossier qui désigne la méchante du film dès les premières secondes. Mais son exécution est d'un tel raffinement - le visage de l'anti-héroïne se précise ...
Flaky film noir. In English and French, with English subtitles. Running time: 110 minutes. Rated R (strong sexuality, violence and language). At the Empire, the Lincoln Square; the Battery Park City ...
MAYBE THE plot in Brian De Palma's "Femme Fatale" would "scan" before a panel of experts all working round the clock and well supplied with flow charts, esoteric film reference books, No. 2 pencils ...
Premier film «français» de Brian De Palma, tourné à Paris avec des techniciens locaux, Femme fatale est une variation sur le film noir aux motifs et thèmes étonnamment proches du Mulholland Drive de ...
An extravagant suspense cocktail of wacky and lascivious ingredients that goes down fine, Brian De Palma’s “Femme Fatale” gives Rebecca Romijn-Stamos a chance to shine as the duplicitous title broad, ...
He’s playing dress-up Barbie. If you look hard, you can make out a story in ”Femme Fatale,” but it has nothing to do with the senseless pileup of jewel thievery, shutterbug voyeurism, and leggy sex ...
Plus fou et singulier que jamais, Brian De Palma livre un pur objet conceptuel, sans se soucier de vraisemblance narrative. Femme fatale, série de variations baroques sur le film noir, secrète ...
Or — you just knew there was an or, didn’t you? — maybe not. ”Double Indemnity” may flicker on a TV as ”Femme” opens, but ”Fatale”’s twists and turns owe just as much to recent head scratchers like ...
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